|
Mikhail Abramovich Kaufman ((ロシア語:Михаи́л Абра́мович Ка́уфман); 1897 – March 11, 1980) was a Russian cinematographer and photographer. He was the younger brother of filmmaker Dziga Vertov (Denis Kaufman) and the older brother of cinematographer Boris Kaufman.〔Petric, Vlada. ''Constructivism in Film: The Man with a Movie Camera.'' NY: Cambridge UP, 1987.〕 He was born into a family of Jewish intellectuals living in Białystok in Grodno Governorate, at the time when the Białystok region was a part of the Russian Empire. In 1920s, after Mikhail Kaufman returned from Russian Civil War, Vertov offered him to participate in his newsreel series ''Kino-Pravda'' as a cameraman. Mikhail Kaufman directed photography for several films, including the 1929 ''Man with the Movie Camera''. The film is built around meta-reference and is full of innovative visual effects: in it, Kaufman acts as a cameraman and is seen shooting the film while walking on high bridges, hanging off the side of a train, climbing a smokestack and crawling underground with miners – all in order to get the best shot. His brother's wife, Yelizaveta Svilova, was editor and part of the "Council of Three" who "proclaimed a 'death sentence' on the cinema that came before, faulting it for mixing in 'foreign matter' from theater and literature."〔Lim, Dennis (April 8, 2011). (Machine Age Poet, Born in Revolution, Stifled Under Stalin. ) ''The New York Times''〕 Mikhail Kaufman also directed two films: "Moscow" (1927) and "In Spring" (1929). Shortly after the filming of ''Man with the Movie Camera'', Kaufman and Vertov fell out over artistic differences. The two would never work together again. Kaufman died in Moscow. ==References== 抄文引用元・出典: フリー百科事典『 ウィキペディア（Wikipedia）』 ■ウィキペディアで「Mikhail Kaufman」の詳細全文を読む スポンサード リンク
|